by Johanna Drucker
"The exhibition 'Love and Terror,' announced for Fall 2003 in Arizona, helped provoke the production of this work. But the texts were already being written, and the sensibility with respect to the look of the book, my longstanding desire to make a distinctly neo-expressionist response to current events, had long been developing the vision that manifest fully in this work. Only the raw, edgy, harsh high-contrast of cuts, in this case, linoleum, long a favorite medium of mine, seemed sufficient to express the cruelty of fate and injustice being wrought by the current administration. Trying to figure out what was going on in the world was so difficult. All the lies and rhetorical obfuscation of media reports coupled with the anecdotal evidence of daily lives of real people, friends, family. And then the weather, with its own cruelties, seemed to damage every new bit of spring growth in one round after another of bitter winter. No way to know what happens, except by transforming all of that into form, into expression. And the shrill, almost hysterial pink-ness of the cover papers, torn and pasted, were the other gesture meant to register anger in the aesthetic of production. People have read this as a story of personal anger, sadness, and difficulty, but it was not explicitly so. Rather, a composite of all I saw around me, felt, and processed. The events in my private life seemed like another symptom, not the cause, of the mood of this book."
Limited edition includes 25 copies on Rives, with original collages on the cover and then another 75 or so copies on Mohawk Superfine, with folded wrappers to cover.