Granary Books, 2007. Item #GB_137
4 3/8 x 3 7/16 in. folded glassine sheet with printed image and text, along with a strip of printed paper in mailing envelope. Out-of-print.
ABOUT MARJORIE WELISH: Marjorie Welish is an artist/critic whose practice encompasses both poetry and painting. Of the Diagram: The Work of Marjorie Welish (Slought, 2003) consists of papers given at a conference on her writing and art at the University of Pennsylvania.
A Fulbright Senior Specialist Fellow in 2007, she taught seminars in art criticism at the University of Frankfurt, where she also worked to complete Oaths? Questions?, done in collaboration with James Siena. Other art grants and fellowships awarded her: Adolph and Esther Gottlieb Foundation, Elizabeth Foundation for the Arts, Fifth Floor Foundation, International Studio Program, Pollock-Krasner Foundation, and Trust for Mutual Understanding. Marjorie Welish lives in New York City where she regularly teaches at Columbia University and Pratt Institute. Her paintings are represented by Bjorn Ressle Fine Art in New York and are in the following public collections: Collection Werner Kramarsky, New York; Foundation for Contemporary Arts, New York; Mississippi Museum of Art, Jackson; New York Public Library, New York; Rutgers (University) Archive for Printmaking Studios, New Brunswick, NJ; Smith College, Northampton, MA. Her book of art criticism is Signifying Art: Essays on Art after 1960 (Cambridge University Press, 1999).
Isle of the Signatories (2008) is her most recent book of poems; others are Word Group (2004), and The Annotated 'Here' and Selected Poems (2000), this last a finalist for the Lenore Marshall Prize from the Academy of American Poets. All are published by Coffee House Press. Welish has received poetry grants and fellowships from the Djerassi Foundation, the Howard Foundation, the MacDowell Colony, and New York Foundation for the Arts. She was the Judith E. Wilson Visiting Fellow in Poetry at Cambridge University in 2005. Learn more at www.slought.org/content/11008/ and https://slought.org/resources/of_the_diagram.
ABOUT BUZZ SPECTOR: Buzz Spector (b. 1948), artist and critical writer, uses books to explore the relationship between public history, individual memory, and perception. He has represented text with media diverse as yarn, embossed paper, and, in the installation "Crenshaw Stories" (1998), commissioned for a rapid transit station in South Central LA, painted ceramic tiles. Since the mid-1970s, Spector has issued a number of artist's books and editions, including the recent Between the Sheets (2004).
Spector earned an M.F.A. with the Committee on Art and Design at the University of Chicago in 1978, co-founding White Walls, a magazine of writing by artists, the same year. He edited for the publication until 1987 and has since written exhibition catalogues and essays about contemporary art and culture for publications like Artforum, Exposure, and Visions. The recipient of three National Endowment for the Arts fellowships, a New York Foundation for the Arts Fellowship, and other honors, Spector is professor and chair of the Department of Art at Cornell. Learn more at www.buzzspector.com/.
Pictured: unfolded, folded once, and folded twice.