Granary Books, 2002. Item #GB_90
6 1/2 x 9 in., 128 pp., smyth-sewn in wrappers.
“The Review of Contemporary Fiction was preparing an issue on my work and they wanted to include a new interview to go along with six or seven critical essays. Over the years I’d been interviewed a fair number of times by some very able critics, but I thought it might be interesting to try something different. Not so much an interview as a conversation—with another poet, a younger poet whose mind and work I found powerfully meaningful. I immediately thought of Charles [Bernstein], his wide-ranging mind, his openness to all sorts of genres and modes, his quickness, his lightness, his seriousness…And there were obvious similarities in our interests and backgrounds. We’re both dedicated experimentalists, both poet-critics, both New York and secular Jewish. But there were great differences. We started from two different worlds. I was born into the Great Depression and he was born into the Cold War eighteen years later. I came into the art and literary worlds of the late fifties, he entered in the seventies. We would have a lot to talk about, and we talked about doing it. I went East for an opening at the Whitney. Charles came out to San Diego to read a paper. Since I’m a ‘talk poet’ and Charles a voluble talker, we thought we should do it face to face for audiotape. But since I live on the West Coast and he lives on the East Coast, this was difficult to arrange. At a conference on American poetry in Amiens we decided we might as well do it by e-mail, which offers some of the immediacy of talking together with the elaboration possibilities of writing. The electronic speed of transmission made it a kind of cross between the 18th Century and the 21st. The elaboration process led us to a four-month interchange we enjoyed so much it ran more than twice the length we could use in The Review of Contemporary Fiction. This book is our whole uncut dialogue.”
“Antin is what it means to be avant-garde.”
–Marjorie Perloff, author of 21st Century Modernism
The second text, "Album Notes," is a collection of photographs from Antin’s life with extended annotations “shaggy dog stories”—verbal elaborations of the pictures which, together, add further dimension to the work of a writer and thinker Jerome Rothenberg has termed “as important a poet as we’ve got in America.”
Printed offset, this is from an edition of 2000 copies bound in wrappers; there are 26 copies lettered and signed by both poets. Regular edition, out-of-print. Lettered edition available. As new.
ABOUT DAVID ANTIN: David Antin (b. 1932) is a poet, performance artist, and critic of art and literature. After studying linguistics at New York University, where he earned an M.A., Antin edited and translated several math and science books. He has pursued a career as a poet since 1955 and that of an art critic since 1964, serving as Educational Curator for the Institute of Contemporary Art in Boston and Director of the University of California—San Diego's Mandeville Art Gallery. He has won a Guggenheim Fellowship, the PEN Los Angeles Award for Poetry (1984), and a grant from the National Endowment for the Humanities. His most recent books include i never knew what time it was (2005) and John Cage Uncaged Is Still Cagey (2005). Read more at epc.buffalo.edu/authors/antin/.
ABOUT CHARLES BERNSTEIN: Charles Bernstein (b. 1950) is the author of thirty books of poetry and libretti, as well as two books of essays and one essay/poem collection. He edits a number of publications, including the Electronic Poetry Center (epc.buffalo.edu), which he co-founded. He is also the co-editor of PENNsound and the Modern and Contemporary Poetics series at the University of Alabama Press. With Bruce Andrews, he was co-founder and co-editor of the eponymous journal L=A=N=G=U=A=G=E (1978-1982).
Bernstein's work has been anthologized in The Norton Anthology of Poetry, The Oxford Book of American Poetry, and Postmodern American Poetry: A Norton Anthology, among others. He has lectured throughout the United States and Europe and has been host and co-producer of three radio poetry series. Fellow of the American Academy of Arts and Sciences and recipient of the SUNY Distinguished Professor Award (2002) and other honors, Bernstein published his latest original work, Girly Man, in September 2006. Read more at epc.buffalo.edu/authors/bernstein/.
Complete text of the book is available at the University of Pennsylvania's Electronic Poetry Center site.