Archives & Collections

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Granary is a dealer in literary and art archives and libraries from the sixties forward. We work to place such collections into important institutional libraries and have worked with dozens of writers, artists, and publishers toward this end.

Clients include:

Ed Sanders, Rachel Blau DuPlessis, Ed Dorn, Bobbie Louise Hawkins, Anselm Hollo, Michael Lally, Gerrit Lansing, Kit Robinson, Johanna Drucker, David Bromige, Bottle of Smoke Press, John Furnival, Norma Cole, Kevin Killian, Dodie Bellamy, Douglas Crase, Pierre Joris, Susan Stewart, Barbara Henning and Long News in the Short Century (literary magazine archive), Summer Brenner, Charles North, Paul Violi, Don Byrd, Susan Bee, Trevor Winkfield, Arthur Sze, Mei-mei Berssenbrugge, John Koethe, Edith Schloss Burckhardt, Michael Gizzi, Kenward Elmslie, Gloria Frym, Douglas Woolf, Joe Brainard, Larry Goodell/Duende, The Robert C. Morgan Conceptual Art Collection, Patty Oldenburg, Maureen Owen, Blind Date (literary magazine archive), Janet Hamill, Andrew Schelling, Turtle Point Press, Bardo Matrix/Ira Cohen/Gnaoua/Dana Young, Michael Heller, Lewis Warsh, Robert Dash, Richard Foreman (Ontological-Hysteric Theater), Thom Gunn, Maggie Paley, The Poetry Project at St. Mark’s Church (literary organization archive), Woodland Pattern (literary organization archive), Jerome Rothenberg, David Antin, Charles Bernstein, L=A=N=G=U=A=G=E (literary magazine archive), Lawrence Alloway, Tony Zwicker, Kathleen Fraser, Robert Creeley, Ninja Press, Carolee Schneemann, Benny Andrews, Leslie Scalapino, Ann Lauterbach, Clark Coolidge, Ray DiPalma, Marjorie Welish, Susan Howe, Bernadette Mayer, Jane Wodening, M/E/A/N/I/N/G (art journal archive), Journal of Artists’ Books (art journal archive), A.I.R. (art gallery archive), Burning Deck Press, Ron Padgett, Joanne Kyger, and Susan King. 

Placements include:

The Library of Congress, Beinecke Library at Yale University, Butler Library at Columbia University, Fales Library at NYU, Mandeville Special Collections Library at UCSD, Bancroft Library at UC Berkeley, Berg Collection at New York Public Library, John Hay Library at Brown University, Lilly Library at Indiana University, Memorial Library at the University of Wisconsin-Madison, and Green Library at Stanford University.

Please contact us if you wish to offer or acquire such material.

 

Please use legal-size paper for best results if you wish to print PDFs of prospectuses.
Tom Phillips Short Catalog

Tom Phillips Short Catalog

Granary Books is pleased to offer for sale a number of works by the artist Tom Phillips, including seven of his signed screenprints illustrating Dante's Inferno, as well as signed pages from the Tetrad Press edition of his groundbreaking altered book, A Humument. 

Phillips's translation and illustration of Dante's Inferno by Talford Press in 1983 received the Frances Williams Memorial Prize; Waddington Graphics published a limited signed edition of nine larger screenprints of these striking illustrations. A Humument is an artist's book that Phillips began in 1966 and completed in 2016 in six versions, altering W. H. Mallock's obscure 1892 Victorian work, titled A Human Document, with painting, collage, and cut-up techniques. Retitled A Humument, it was first published as a series of boxed editions of pages, printed by Ian Tyson at Tetrad Press in London.

Read Tom Phillips's biography here, and more about Dante's Inferno and A Humument on specific catalog records. 

The 0 to 9 Collection

The 0 to 9 Collection

Edited by Vito Acconci and Bernadette Mayer, 0 to 9 is widely considered one of the most experimental and influential publications of the mimeograph and small press movement in America. Published in six issues from 1967 to 1969 in New York City, 0 to 9 also published a supplement titled Street Works and several books by Aram Saroyan, Bernadette Mayer, Vito Acconci, and Rosemary Mayer, along with three booklets that constituted Adrian Piper’s first solo exhibition. 0 to 9 was especially engaged in the particulars of the page and inscriptions upon it, emphasizing aspects of performance, minimalism, multi-disciplinarity, and concrete approaches to language. Given small print runs of 100 to 350 copies per issue, the original publications of 0 to 9 are exceedingly rare.

Items within the collection are available as described below. To see PDF of original complete offering, click here.

Angel Hair Collection

Angel Hair Collection

“I met Lewis Warsh at the Berkeley Poetry Conference and will always forever after think we founded Angel Hair within that auspicious moment.” So writes Anne Waldman in her introduction to The Angel Hair Anthology (Granary Books, 2001).

Lewis and Anne were greatly influenced by the poets and publishers attending the twelve-day conference in July 1965, including those variously identified as Beat, Black Mountain, New York School, and San Francisco Renaissance.

Poets such as Gary Snyder, Robert Duncan, Joanne Kyger, LeRoi Jones, Charles Olson, John Wieners, Jack Spicer, Robert Creeley, Allen Ginsberg, Lew Welch, Lenore Kandel, Ted Berrigan, and Ed Sanders, and small presses and magazines such as CFuck You: A Magazine of the Arts, The Floating Bear, White Rabbit, Auerhahn Press, and Locus Solus provided inspirational models. In The Anthology, Lewis Warsh writes: “In a sense doing a magazine at this early moment was our way of giving birth—as much to the actual magazine and books as to ourselves as poets."

By spring 1966, the poets, each age 20, published the first issue of Angel Hair from 33 St. Mark’s Place in New York City. The initial Angel Hair book was released the same year and by 1978 they had published six issues of the magazine, 63 pamphlets, books, and broadsides, and 10 catalogues. In the process, they helped identify and nurture a generation of innovative, ground-breaking poets, writers, and artists.

This comprehensive collection of the Angel Hair publications includes a complete run of the magazine, all 63 pamphlets, books, and broadsides, two of the catalogues, and a small batch of related archival material.

Please click to view and sort by viewing preferences to review the entire collection. The collection has been sold.

Bardo Matrix Collection

Bardo Matrix Collection

This collection contains approx. 43 items published in the 1970s, including books by Paul Bowles, Ira Cohen, Gregory Corso, Diane di Prima, Jane Falk, Charles Henri Ford, Iris Gaynor, Angus MacLise, and Roberto Francisco Valenza, which feature the artwork of Hetty MacLise, Petra Vogt, and Dana Young. The collection also includes pamphlets, broadsides, and ephemera from the Spirit Catcher Bookshop and Bardo Matrix Press, as well as an extremely rare complete run of Ting Pa , MacLise's Tibetan and English-language poetry journal. 

This collection has sold.

Canadian Concrete Poetry Collection

Canadian Concrete Poetry Collection

From an unpublished essay by Steve McCaffery: 

"Emerging in the mid-sixties Canadian concrete poetry is best configured within a wider, international poetics of cultural unrest, expressed by many younger writers in a plurality of unorthodox literary forms around the world. More specifically, however, it arose out of a specific cultural need. A dominant, inward-looking, mythopoetic and largely nationalist aesthetic (expressed at its belligerent and stentorian in the prose of Robin Mathews) had been challenged in Vancouver by Tish, a young group of poets, founded in 1961 and largely gathered around ex-patriot American critic Warren Tallman. Embracing the new American physiologically-based poetics of projective verse, the Tish group offered a radical alternative to Canadian mainstream poetry: the pre-eminence of breath and the syllable in guiding poetic construction, the poem considered both as an open field and a high energy construct proved appealing to a younger generation of west coast Canadian poets. It was this initial ground-breaking intervention that facilitated the intervention of Canadian concrete-visual poetic practice and its articulation onto the wider, international movement to which Concrete Poetry aspired."

The collection is sold.

Dana Young Archive with Brion Gysin, Charles Henri Ford, Ira Cohen, Ray Johnson, David Rattray, and Harold Norse

Dana Young Archive with Brion Gysin, Charles Henri Ford, Ira Cohen, Ray Johnson, David Rattray, and Harold Norse

Dana Young was an essential member of the Kathmandu psychedelic expatriate community of poets, musicians, artists, and spiritual seekers in the 1970s. His poetry and shamanic art blended Eastern spiritual imagery with American pop and consumer culture. He was an active member of the Bardo Matrix collective and is best known for his book Opium Elementals (Bardo Matrix, 1976) that features his beautiful woodblock prints along with two poems by Ira Cohen. He contributed to several other Bardo Matrix publications including Cohen’s Blue Oracle broadside (1975), the frontispiece to Paul Bowles’ Next to Nothing (1976), and Ira Cohen and Roberto Francisco Valenza’s Spirit Catcher! broadside (1976). His artwork also appears in publications such as Montana Gothic (1974) and Ins and Outs (1978). Dana designed the logo (included in the archive) for John Chick’s Rose Mushroom club located at the end of Jhochhen Tole, known as “Freak Street,” in Kathmandu. Most recently, one of Dana Young’s wood block prints was featured on the album cover of the recent release of Angus MacLise's Dreamweapon II.

Materials in the present collection comprise the archive of Dana Young supplemented with letters, photographs, and assorted items from the Ira Cohen archive via Richard Aaron, Am Here Books.

This archive is sold.

Don Byrd Archive with Charles Bernstein, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Susan Howe, & Others

Don Byrd Archive with Charles Bernstein, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Susan Howe, & Others

The Don Bryd Archive is especially rich in correspondence with such poets as Charles Bernstein, George Butterick, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Clayton Eshleman, Robert Grenier, Richard Grossinger, Susan Howe, Ken Irby, Robert Kelly, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, Ron Silliman, and Barrett Watten and as such offers the opportunity to explore ideas animating the world of poetry during the 1970s and 1980s with particular emphasis on Language Writing.

This archive is sold.

Douglas Crase / Frank Polach & Rupert Barneby / Dwight Ripley Archives

Douglas Crase / Frank Polach & Rupert Barneby / Dwight Ripley Archives

The Douglas Crase / Frank Polach & Rupert Barneby / Dwight Ripley Archives are interconnected archives representing the lives of four individual and remarkable men. The archives offer multiple access points into the exploration of the New York School of poets and painters, (especially its connection with the Tibor de Nagy Gallery) and aspects of the New York avant-garde (including Marie Menken, Willard Mass, Peggy Guggenheim, Clement Greenberg, Alfred Leslie, Jane Freilicher, Helen Frankenthaler, Judith Malina, John Bernard Myers, and others); the worlds of botany and gardening through two generations; and gay culture and life from 1925 on.

This archive is sold.